my 2012-2021 blog

I’ve been rereading posts from the blog I wrote in from 2012-2021, when I spelled my pen name Sulyn Zan. I started this blog primarily to help myself get over being shy or insecure about my writing; it’s actually strange to me now how seriously I took that part of myself before this period of time began. It’s as if my writing and my voice somehow represented my entire self-worth, and I was terrified that if I shared these with people, I might be proven insubstantial or incapable. Therefore, I never shared any of the writing that I considered to be a *real* effort at writing in this blog, except perhaps my literary analysis. I felt it more expedient to accept my more spontaneous voice, and to test whether or not that in itself had value. It worked, as this was the voice I used to hobnob with Stephen Colbert’s writing team and a number of other people in film/TV/politics/books/music/journalism and other fields, on Twitter. Today I have no fear of famous, well-established people, of what they think of me. I can be dull or simplistic if I want to be because I have already proven to myself and others that I am not (not usually, or at least not always!) My flaws retain the portion of me justly allotted, and that is that. The flip side is that some of the writing done in this voice may be more appealing than that which I’ve done as a “concerted” effort in private. But I’m still excited to submit more of my formal writing to literary magazines soon…

Incidentally, the very final blog – the one that comes up as soon as you click on this link – is very off-the-cuff and not my best writing. The first of the “Breakfast Guy” blogs, however, is a better effort, not least of all because I was so inspired when first arriving in Athens.

https://sulynzan2012.blogspot.com/

Sorbonne

I’ve been accepted to Sorbonne University, Paris IV, for an MA in French Literature. Very excited.

This is propelling me to study 5-6 pages of Flaubert a day. The accumulation in vocabulary is making a difference already, and reading Flaubert is distinctly pleasurable for me, even compared to reading Camus. And Bergson fulfills the side of me that enjoys neuroatypical rhythms and volumes of language…

The Meadow

My student Eileen wrote this story last year when she was in sixth grade. It went up on “Stone Soup” today. I’d mentioned that just after she wrote this, I was in London and saw a fox from my balcony. Prophecy! Here’s an excerpt – please read all of it at https://stonesoup.com.

Acceptance to French Literature Programs

It’s been a long and detail-oriented past couple of years getting back into French, but I passed my C1 exam at the French Institute in December just a week or two after I returned from Athens (it was cutting it close, but I made it!), and then I got accepted to four French Literature Master’s programs: three at the Nouvelle Sorbonne of Sorbonne University, and one at Columbia University.

I’m still waiting to hear from Paris IV Sorbonne University, whose professors have given me some inspiring feedback on my research proposal, and where I hope to be accepted…

Regardless, the likelihood is that I will be studying Henri Bergson and Flaubert in French this autumn, thus merging my previous studies of cinema and literature. Excited, especially because I also expect that the script I’ve been working on for many years now will be completed before then.

Brighton Fourth

Very happy that my NYU film mentor, who I interviewed for “Cineaste Magazine” in 2020, recently won an award for Best Screenplay in an International Feature at the Tribeca Film Festival for “Brighton Fourth,” and that the film, directed by my classmate Levan Koguashivili, won Best Film and Best Actor in the same category.

I recommend the film, especially in light of the situation in Ukraine, which has been somewhat similar in Georgia (the film is about Georgian immigrants to Brooklyn). Please check out the interview I did with Boris just prior to this festival win about his fascinating early years among greats Kozintsev and Shostakovich: https://www.cineaste.com/summer2020/from-minimalism-to-neorealism-boris-frumin-interview

Stone Soup

After a couple of years of working with new students, I’m extremely happy to announce that two of their short stories will be published in the children’s magazine “Stone Soup”!!

I’ve become more intrigued by the magazine after reading that it was established in Santa Cruz in 1972 (https://en.wikipedia.org/wiki/Stone_Soup_(magazine)), and finding out more about the current Editor, Emma Winsor Wood (https://www.emmawinsorwood.com/).

I will post the stories when they appear online and in print.

October 2021 Issue